Michel Auder Movies

Filmmaker Jonas Mekas films 160 underground film people over four decades.

“FUN AND GAMES (FOR EVERYONE): a pitch black and milky white film shot during one of Olivier Mosset's exhibition openings. A psychedelic game...

Cleopatra situates itself in the same relationship to Hollywood as the Warhol/Morrisey films of the period. It corresponds to Joseph Mankiewicz's...

In 1969 Michel Auder began a series of video diaries that chronicled the art scene in downtown New York. In Chelsea Girls with Andy Warhol, Auder...

Homeo is a mental construction made from visual reality, just as music is made from auditive reality. I put in this film no personal intentions. All...

From its fiery outset, Brooding Angles is decidedly gothic and the mood anxious. It is a dark rumination on the specter of authority, resistance and...

Documentary portrait of Henri Langlois, co-founder of the Cinémathèque Française.

Michel Auder’s Jesus – in which underground NY artists and Warhol superstars openly discuss their beliefs. Jesus – which premiered...

Michel Auder dedicated himself to capturing the views from his apartment over the course of a year. This three-channel video installation from 2014...

"The question is, it is either going to be a stoned age or a new Stone Age" - Louis Brigante

The Chronicles capture the natural and cultural beauty of Morocco from its ancient walled villages to its nomadic caravans. Music comes from...

Narcolepsy includes footage shot with a small hand-held digital video camera, mobile phones and underwater devices. The videos appear on one monitor...

One of the very few films made by Etienne O'Leary, all of which emerged from the French underground circa 1968 and can be very loosely designated...

In 1970 Valerie Solanas was released from a mental institution, two 
years after shooting Andy Warhol. Still unstable, she moved into the...

Video interviews of passerby at the World Trade Center by artist Marcia Resnick. Recorded 1976, edited 2007.

Reel-to-reel video by Michel Auder, recorded 1971, edited 2009. Features Auder's former wife Viva.

Video by Michel Auder.

The Feature does not reconcile fact and fiction; instead, it blurs the definitions seemingly represented by the film’s two clearly demarcated...